Sheila and Terry You Can Count on Me
| You Tin can Count On Me | |
|---|---|
 Theatrical release affiche | |
| Directed by | Kenneth Lonergan |
| Written by | Kenneth Lonergan |
| Produced past |
|
| Starring |
|
| Cinematography | Stephen Kazmierski |
| Edited by | Anne McCabe |
| Music by | Lesley Hairdresser |
| Distributed past | Paramount Classics |
| Release date |
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| Running fourth dimension | 111 minutes |
| Country | Us |
| Language | English |
| Budget | $1.2 1000000 |
| Box role | $11.2 one thousand thousand[1] |
You Can Count On Me is a 2000 American drama movie written and directed by Kenneth Lonergan (in his directorial debut) and starring Laura Linney, Mark Ruffalo, Rory Culkin, and Matthew Broderick. Information technology tells the story of Sammy, a unmarried female parent living in a small Catskill Mountains town, and her complicated relationships with family and friends.
The film and its performances received highly positive reviews among critics, and dozens of award nominations and awards at moving picture festivals and during awards season. At the 73rd University Awards, the film received nominations for Best Actress (Linney) and Best Screenplay Written Direct for the Screen/Original Screenplay.
Plot [edit]
Equally children, Sammy and Terry Prescott lose their parents to a car accident. Years later, Sammy, a single mother and lending officeholder at a bank, still lives in her babyhood home in a hamlet in the Catskill Mountains region of New York, while Terry has drifted around the country, scraping by and getting in and out of trouble.
Afterwards months of no communication with his sister, Terry and his girlfriend, Sheila, are desperate for coin, so he comes to visit Sammy and her son, Rudy, who are excited well-nigh reuniting with him. Despite the thwarting of learning that he cut off contact because he was in jail for three months, Sammy lends him the money, which he mails dorsum to Sheila. After Sheila attempts suicide, he decides to extend his stay with Sammy, which she welcomes.
For a school writing consignment, Rudy imagines his father, who he has no memory of, every bit a fantastic hero. While Sammy has e'er given him vague however negative descriptions of Rudy Sr., Terry is frank with him that Rudy Sr. is non a dainty person – though Rudy naively believes his male parent has changed. Sammy rekindles a sexual human relationship with Bob, an old boyfriend, just is surprised when he proposes to her afterwards a short fourth dimension and says she needs time to consider it.
At the banking company, the new manager, Brian, tries to make his mark with unusual demands about computer colour schemes and daily timesheets. While co-worker Mabel works well with the changes, Sammy is upset when Brian requests that she make arrangements for someone else to choice up Rudy from the school jitney rather than Sammy leaving work at random. Afterwards some small-scale arguments, they starting time having sex, despite Brian'southward wife being six months significant.
Terry grows close to Rudy during their time together. Yet he pushes the limits of Sammy's parental command, keeping Rudy out very late every bit the ii play puddle at a bar. She turns to Ron, her church minister, to counsel Terry about his outlook on life. While Terry resists his sis's advice, he and Rudy grow steadily closer. Realizing her ain questionable decisions, Sammy turns down Bob'south marriage proposal and breaks off her human relationship with Brian.
After a twenty-four hours of angling, Terry and Rudy make up one's mind to visit Rudy Sr. in a shack in a nearby village. Confronted by his past, Rudy Sr. reveals what terrible person he is, denying he is Rudy's father and starting a brawl with Terry. Rudy watches silently every bit Terry beats Rudy Sr. and gets arrested.
Sammy brings her blood brother and son home. When Rudy insists that Rudy Sr. is not his father, Sammy finally tells him the truth. Sammy asks Terry to movement out, only admits how important he is to her and Rudy, suggesting he get his ain place in town and get his life dorsum on track. He scoffs at Sammy's thought and plans to go back to Alaska. While at showtime it appears the separation will be another heartache, they reconcile earlier Terry leaves, coming to terms with their respective paths in life.
Cast [edit]
- Laura Linney equally Sammy
- Marker Ruffalo as Terry
- Matthew Broderick as Brian
- Jon Tenney as Bob
- Rory Culkin as Rudy
- J. Smith-Cameron every bit Mabel
- Josh Lucas as Rudy Sr.
- Gaby Hoffmann as Sheila
- Adam LeFevre as Sheriff Darryl
- Amy Ryan as Mrs. Prescott
- Michael Countryman as Mr. Prescott
- Kenneth Lonergan as Ron
While listed in the main opening credits, Amy Ryan and Michael Countryman, playing Sammy and Terry'south parents, announced for just a few seconds in the cold opening of the film, caught in the headlights of the truck that kills them.
Production [edit]
The story takes place in the Catskill region of due south eastward New York state, in the fictionalized communities of Scottsville and Auburn. While there is an actual Scottsville and Auburn, New York, they are over 200 miles (320 km) away, in the north westward Great Lakes and Finger Lakes regions of the state, respectively. The film was primarily shot in and around Margaretville, New York, a village on the border of Catskill Park, in June 1999.[ii] [3]
While the bank exteriors were filmed at Margaretville's NBT banking company, the interiors were filmed in an unrelated bank closer to New York Urban center, since NBT considered interior filming a security risk.[iv]
The scenes where Rudy Jr. walks home in the rain were filmed with the assistance of the Margaretville Burn Department, which used their trucks and hoses to create the pelting.[five]
Some outdoor scenes, almost notably the fishing trip, were filmed in Phoenicia, New York.[5] The Margaretville cemetery could non be seen from the road, then those scenes were shot at a cemetery 4 miles (half dozen.four km) exterior the village, on Route 30.
Home media [edit]
The film was released on DVD and VHS on June 26, 2001.[6] It comes with commentary from director–writer Lonergan, cast and crew interviews, plus the theatrical trailer[6]
Reception [edit]
On Rotten Tomatoes the film holds an approval rating of 85% based on 105 reviews, with an average rating of 8.ane/10. The website'south critical consensus reads, "You Tin Count On Me may look similar it belongs on the small screen, just the movie surprises with its simple yet affecting story. Beautifully acted and crafted, the movie will simply draw you in."[7] At Metacritic the film has a weighted boilerplate score of 85 out of 100, based on 31 critics, indicating "universal acclamation".[8]
Reviewer Stephen Holden described the flick as "the perfectly pitched directorial debut of the playwright (This Is Our Youth) and screenwriter (Analyze This) Kenneth Lonergan. Because it arrives about the terminate of one of the most dismal picture seasons in memory, this melancholy little precious stone of a moving picture, which won two major awards at the Sundance Pic Festival, qualifies as 1 of the two or 3 finest American films released this year....You Tin Count on Me is an exquisitely observed slice of upstate New York life that reminds us there are nevertheless enough of American communities where the pace is more human being than figurer-driven. The movie dares to portray small-scale-town middle-class life in America equally somewhat drab and predictable. Without ever cavalier to its characters, information technology trusts that the everyday problems of ordinary people, if portrayed with plenty cognition, empathy and insight, tin be equally compelling as the virtually bizarre screaming carnival on The Jerry Springer Show."[9]
David Edelstein chosen the motion picture the "all-time American movie of the year", noting that "[w]hat the film is 'nigh' can't exist summed up in a line: Its themes remain just out of reach, its major conflicts sadly unresolved. But Lonergan writes bottomless dialogue. When his people open their mouths, what comes out is never a definitive expression of graphic symbol: It's an bad-mannered compromise betwixt how they feel and what they're able to say; or how they feel and what they think they should say; or how they experience and what volition best conceal how they feel. The common term for this is "subtext," and You Tin can Count on Me has a subtext then powerful that it reaches out and pulls you under. Even when the surface is tranquil, you know in your guts what's at stake." Edelstein concludes "Lonergan doesn't still know how to brand the camera bear witness us things that his dialogue doesn't, but when y'all write dialogue like he does, you lot can have your fourth dimension to learn. Hell, he can take another 20 movies to larn."[ten]
According to Roger Ebert, "Beyond and below, that is the rich human story of Yous Tin Count on Me. I love the manner Lonergan shows his characters in flow, pressed this way and that by emotional tides and practical considerations. This is not a picture about people solving things. This is a movie almost people living twenty-four hours to mean solar day with their plans, fears and desires. It'due south rare to get a adept movie about the touchy adult relationship of a sis and brother. Rarer still for the director to be more fascinated past the process than the consequence. This is one of the best movies of the year."[11]
In a 2022 BBC poll, Yous Can Count On Me was voted by four critics as one of the greatest films since 2000.[12]
Accolades [edit]
You Tin can Count On Me was on the "Summit 10 films" lists at the American Film Institute Awards, National Board of Review, Dallas–Fort Worth Pic Critics Clan Awards and the Southeastern Film Critics Clan Awards.
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References [edit]
- ^ "You Can Count On Me (2000)". Box Office Mojo.
- ^ You Can Count On Me – DVD Extras: Cast Interviews
- ^ Posters for Margaretville'southward July four "Field Days" tin be seen in shop windows.
- ^ "150 Years...and Counting: NBT Bank" (PDF). p. 43. Archived from the original (PDF) on 2010-ten-09.
- ^ a b You lot Can Count On Me – DVD Extras: Director Commentary
- ^ a b Tribbey, Ralph (March 30, 2001). "Paramount Delivers 'Last Dance' on DVD". hive4media.com. Archived from the original on April 20, 2001. Retrieved September 11, 2019.
- ^ "Yous Can Count on Me (2000)". Rotten Tomatoes. Fandango Media. Retrieved April 10, 2018.
- ^ "You Can Count on Me Reviews". Metacritic. CBS Interactive. Retrieved April 10, 2018.
- ^ Holden, Stephen (November x, 2000). "A Dysfunctional Family With Wounds Exposed". The New York Times . Retrieved 2014-02-21 .
- ^ Edelstein, David (November 17, 2000). "The dialogue stars in You Tin Count on Me". Slate. Retrieved 2014-02-21 .
- ^ Ebert, Roger (November 17, 2000). "You lot Can Count on Me".
. rogerebert.com. Retrieved 2014-02-21 . - ^ "The 21st century's 100 greatest films: Who voted?". BBC. August 23, 2016. Retrieved Jan 8, 2017.
External links [edit]
- You Can Count On Me at IMDb
- You Can Count On Me at Rotten Tomatoes
Source: https://en.wikipedia.org/wiki/You_Can_Count_on_Me
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